Steel is commonly perceived as a robust and enduring material, yet Johannesburg-based artist Regardt van der Meulen transforms it into delicate, fragmented human forms. His elaborate sculptures delve into themes of “time, memory, and mortality,” highlighting the fragile nature of human existence.
With over 20 years of experience, Van der Meulen’s craft continues to impress, as each new piece exhibits his skill and creativity. His choice of steel as a medium is driven by its unique qualities and versatility.
“It has a great ability to not only capture strength but also a sense of movement and fragility,” Van der Meulen shares with My Modern Met. “In its natural state, it will rust and erode away, which fits in perfectly with the theory of my work.”
The concepts of erosion, destruction, and decay are vividly embodied in Van der Meulen’s sculptures. His works appear to disintegrate before one’s eyes, resembling ephemeral figures made of flaking ash.
One notable piece, titled Twigs, depicts a fragmented figure caught mid-stride, intertwined with metal sprigs. This sculpture profoundly illustrates the idea of our intrinsic connection to nature, suggesting that in death, we blend back into the earth, becoming one with it.
Another evocative work, Restoration, features a metal figure gazing at his chest while holding a fragment of his own body. This piece suggests a moment of realization about one’s changing form, a poignant reminder that life’s transformations often come unexpectedly.
While many aspects of Van der Meulen’s figures seem to fragment and recede, the hands and feet frequently remain intact. This detail is a signature of the artist’s work, with intricately crafted fingers, toes, and even veins rendered in metal. These preserved elements lend each sculpture a tangible human presence, even as the rest seems to decay.
Regardt van der Meulen’s fragmented steel sculptures masterfully explore the themes of time and mortality, offering a unique perspective on the fragile nature of human life.
Many works appear to be decaying before our eyes.
While most parts of Van der Meulen’s figures seem to fragment and recede, the hands and feet often remain intact.
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