In a jaw-dropping display of creative prowess, photographer Cris Froese from Poland stunned the world with a series of photographs seemingly depicting a man loading the moon into the back of his car. The captivating images, titled ‘Stealing the moon’, took around two years of meticulous planning and preparation to execute.
The surreal scenes unfold as the man, depicted in the photographs, stands atop a hill, strategically aligning his car with the glowing orb of the moon. With both hands, he appears to push the celestial body into the trunk of his vehicle, before casually shutting the boot and preparing to drive away, moon in tow.
Froese, known for his expertise in magic realism photography, meticulously orchestrated the shoot, utilizing a Subaru Forester as the prop vehicle. Despite the challenges of aligning the car with the distant moon and capturing the perfect shot in low-light conditions, Froese’s dedication paid off handsomely.
Reflecting on the process, Froese expressed his delight at the overwhelmingly positive reception to his work. He described the difficulty of aligning the elements of the scene, including the considerable distance between the camera and the car. Yet, despite the challenges, the images captivated audiences worldwide, drawing praise for their innovative and surreal aesthetic.
Froese’s photography style, characterized by its blend of real-world settings with elements of fantasy, has garnered widespread acclaim. His work transports viewers to otherworldly realms, blurring the lines between reality and imagination.
For Froese, photography is not merely a means of capturing reality but a tool for exploring the boundaries of perception and possibility. His creative vision pushes the limits of traditional photography, inviting viewers to contemplate the intersection of dreams and reality.
As the ‘Stealing the moon’ series continues to captivate audiences, Froese remains committed to pushing the boundaries of his craft. With each photograph, he invites viewers to join him on a journey through the surreal landscapes of his imagination, where the impossible becomes possible, and the extraordinary becomes ordinary.